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Without light<\/em><\/p>\n\n\n\n with light<\/em><\/p>\n\n\n\n It feels different in person. What’s funny with this specular stuff, is how enthralled I was with it when I didn’t understand how it works. But now I kind of don’t see what the big deal is. I have to remind myself it’s really cool to keep forging ahead.<\/p>\n\n\n\n <\/p>\n\n\n\n Since I can control pressure, I’m trying all sort of materials and pressures. I’m literally throwing under the tip any garbage that looks like it could yield a glint, and getting good surprises. I’m of course trying the classics like acrylic and aluminum with various pressures, again to find the best parameters.<\/p>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" lots of trials, lots of refinements, 4 days on the etcher bed. The load cell addition makes for the most precise etching. Without light with light It feels different in person. What’s funny with this specular stuff, is how enthralled I was with it when I didn’t understand how it works. But now I kind … <\/p>\n<\/a><\/figure><\/div>\n\n\n\n<\/a><\/figure><\/div>\n\n\n\n<\/a><\/figure><\/li><\/a><\/figure><\/li><\/ul><\/figure>\n\n\n\n