Category: plots

I was introduced to the art form of Découpage. It’s simply one where cuts are made in paper or other mediums to represent a scene. A niche of this art form is the “Poya” representing alpine life, often depicting transhumance. I had this on my radar for a while as I figured it would make for some good plotting material and it does that to a decent extent.

The more interesting part however, is the artform’s unique property of always having material connected. Which means it’s perfect for laser cutting, and for playing with shadows.

In its rightful place

I unfortunately didn’t take good pictures of my trials, I attempted to fill the gaps in epoxy which was a disaster. There is definitely more to explore, and I will further delve into it in due time.

This is the culmination of my collaboration with Lara Laubert. It turns out that Majestic Cat was only a preliminary test for this piece.

Each of Lara’s pen stroke was processed to be outlined and hatched so they would have enough visual weight on such a large scale. The basic “traveling salesman” algorithm I implemented doesn’t discriminate between outlines and hatches, so parts of the drawing look nonsensical until they all come together at the end.

I occasionally would stay near to machine to watch people’s reaction and had a few chats with them too. It’s a real pleasure to see how well received it was. When I took it down 3 students were curious about what I was going to do with the drawing so I offered it to them. It completely made their day and I couldn’t think of a better thing to happen for this drawing.

As always there were several trials and refinements before the public render.

I forgot where I saw this done, but I was finally able to produce something close. The subject is only visible from a distance, getting close quickly dissolves it into something dizzying to look at.