Esther at different “resolutions”, rendered with Ivan Murit’s Texturing
Robin & Esther, the lines created pen motions conducive to ink goop
Nicole Texturing’d I need better lit pictures of my subjects.
I got a CMYK pen to experiment with multi color renders, particularly ones where the colors can mix into the full spectrum.
Interpolated Random Grid courtesy of llemarie @ turtletoy.net
Bricks courtesy of markknol @ turtletoy.net
The Great Seal of Vermont, courtesy of Vermont
Appalachian Autumn courtesy of base12 @ turtletoy.net
I was looking for blue ink, I pretty much had to get this “the last color of the king”. A nod to the 1789 scholarly experiment to check if noble blood was in fact blue. Spoiler alert, it wasn’t. I love Noodler’s Ink, I came looking for UV ink and stayed for the jokes (and the quality). Gee I wonder what color billionaire blood is.
The fountain pen is loaded with it now, I’ll be playing with handwriting in the near future.
I was never an artist, at all, but I have really enjoyed how my pursuit of perfection with the plotter, mechanically, electronically and programmatically has ended up making me care deeply about ink quality, flow, and paper properties. It reminds me of all the times artists explained their art medium and I was completely oblivious to it. I never understood that the medium was relevant, yet today it defines the boundaries for what I can do. It’s the possibility space. Much of the artistry of pen plotting comes from the various algorithms, processes, programs, one manages to get running and combine. It’s as much a skill as learning how to draw, it takes effort and skill. Only a borderline unhealthy obsession with seeing a machine wield a pen drove me develop one for years, yet today I’m happy the journey took me from the automaton to exploring more artful things. I’ve been bathing in computing for as long as I can remember, it’s nice to look outside a little. And in the end, it’s computing that took me there. How’s that for a stream of consciousness?